Go too far one way and you make victims seem crazy. I have relatives and friends who have struggled with severe mental illness and I felt that they approached Brian Wilson’s problems with reverence. I also appreciated how mental illness was portrayed in the film.
It shows their tension, their issues, and how their desire to bring their sound to the crowds. With this, hearing the music, sounds, and songs of The Beach Boys, one of the greatest American bands of the 1960s, was inspiring. I am not a musician, but I come from a family of them, so I have always loved musical films.
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That being said, what brings the biopic to a full circle is the music.
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He was key to rescuing Brian from Landy’s clutches and while the movie does mention his help, it is in passing. However, I do wish the movie had given more screentime to Brian’s brother Carl Wilson, played by Brett Davern. Now, I do know biopics tend to play fast and loose with the story, either for dramatic purposes or to sum things up. From Big Fat Liar to Cinderella Man to Straight Outta Compton, he nails those roles and this is no exception. Giamatti, as usual, is excellent as the terrifying and bullying manager. Melinda is portrayed as a woman at first confused by Wilson’s condition, but after making her observations, she realizes what is really going on. Likewise, Banks and Giamatti do a good job with their respective roles. If that was the goal they nailed it and both actors did a phenomenal job. This was a conscious effort done by the filmmakers, who was told by the real Wilson that he considered himself two different people. Dano plays the star who is suffering as he produces music for The Beach Boys and Cusack plays the meek, imprisoned genius who has a controlling master. As Melinda’s feelings for Brian deepen, his housekeeper Gloria (Diana Maria Riva) reveals the abuse that the musician is enduring under Landy.īoth Cusack and Dano deserved accolades for their performances as Brian Wilson.
Eugene Landy (Paul Giamatti) rules the musician’s life with an iron fist through drugs and intimidation. However, as Melinda soon learns, Brian’s controlling psychiatrist and manager Dr. The second story involves an older Brian (John Cusack) in 1980s meeting car saleswoman Melinda Ledbetter ( Elizabeth Banks) and growing to love her. What they notice, as does everyone around him, is Brian seems to be losing his grip on reality. The other band members are growing increasingly frustrated with him as he seems to be abandoning the iconic The Beach Boys rock and roll style for other sounds. The film alternates between young Brian Wilson (Paul Dano) finishing Pet Sounds in the 1960s and the release of the “Good Vibrations” single. It is directed by Bill Pohlad and distributed by Lionsgate and Roadside Attractions. Based on a screenplay by Michael Alan Lerner and Oren Moverman, Love & Mercy is a biopic about The Beach Boys co-founder Brian Wilson and his struggle with mental illness.
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